DJI Inspire 2 with X5s camera

DJI Inspire 2 with X5s camera

Quadcopter DJI Inspire 2 with X5s camera is a highly modernized brand new drone replaced DJI Inspire 1 RAW.

X5s has ARRI Alexa Mini Image Quality.

Latest movies with drone DJI Inspire 2 X5s-camera:

To Paris – Sergey Sarkisov, Vladimir Klimov
I lose weight – Alexey Nuzhny, Kirill Klepalov
Winter – Sergei Chernikov, Grigory Volodin
Temporary difficulties – Mikhail Raskhodnikov, Fedor Struchov
Breakaway – Tigran Sahakyan, Ivan Burlakov
The bridge – Tigran Keosayan, Igor Klebanov
Donetsk waltz – Renat Davletyarov, Kirill Klepalov
Sticker – Dmitry Baran
Badaber (series) – Kirill Belevich, Yury Korobeinikov
Tobol (series) – Igor Zaitsev, Yury Korobeinikov
Lancet (series), ArtPictures – Elena Nikolaeva, Arunas Baraznauskas
Сhamber arrest (series) – Peter Buslov, Sergey Kozlov
Year of Culture (series) – Tito Kalatozishvili, Ivan Burlakov
Mounted Police (series) – Alexander Naumov, Semyon Yakovlev
Provoker (series) – Dmitry Tyurin, Nikolay Bogachev

DJI Inspire 1 RAW has positioned itself favourably in various movie projects and commercials.

Latest movies with DJI Inspire Raw drone:

The earthquake, Mars Media – Sarik Andreasyan, Yury Korobeinikov
The defenders, Enjoy Movies – Sarik Andreasyan, Maxim Osadchy
The conductor – Ilya Maksimov, Yury Bekhterev
Kilimanjarо – Ekaterina Telegina, Semyon Yakovlev
Last hero – Dmitry Dyachenko, Sergei Trofimov
The Nevsky spot – Dmitry Tyurin, Yuri Korobeinikov
The wizards – Renat Davletyarov, Ilya Averbakh
Burn it! Kirill Pletnev, Sergey Mikhalchuk
Selfi – Nikolai Khomeriki, Vladislav Opelyants
The sleeping (series) – Yury Bykov, Yury Korobeinikov
The youngs (series) – Sergey Arlanov, Sergey Kiselev
The PSF (private security firm, series) – Mikhail Soloviev, Evgeny Kozlov
The manumission – Dmitry Vedensky

Advertising for production companies:

Park Production, Film Service, Robusto, Focus Films, Red Square, Fresh Production, Fetish Film, Shandesign, Chibis, Medusa Film and others.

Benefits of Kinolet usage by film-production companies:

– We have 4 teams with DJI Inspire 2 in order to provide with rapid substitution of each other in case of changes in dates, diseases, emergency situations;
– We take on request a spare copter;
– A huge number of extra accessories and equipment for high-quality shooting;
– Large experience of working with movies, understanding of all the features;
– The possibility of development of individual price for the whole project.

Regarding DJI Inspire Raw the new DJI Inspire 2 has the following improvements:

1. The drone reliability (each main block is duplicated) provides less risk of flying over people and freeways.
2. It stays more stable in the air that is important for slow flights or strictly up flights, along the line or in a circle.
3. It flies longer.
4. It develops speed up to 100 km/h.
5. The flight range is increased up to 7 km.
6. It has parktronic system and an additional FPV camera, which allow to fly in more dangerous places and farther.
7. It reduces noise in shadows.
8. It reduces the strobe in the video during fast flights
9. It records video in formats 5.2K to 30fps, 4K to 60fps, FullHD to 120 fps
10. It records full 24 frames per second instead of 23.997
11. In addition to recording a sequence of 12bit RAW images (DNG), it can record video in format Apple ProRes 422 HQ, 4444 XQ, H.264 and H.265
12. It can fly in the mountains of up to 5000 meters height above sea level
13. It can fly at very negative temperatures and with a heavy wind
14. It transmits to the playback an image of 1080p instead of 720p
15. The X5s makes better images than RED Scarlet and below you will find a comparison with ARRI Alexa.

Read more:

Thanks to recording of the RAW image sequence (DNG) postproduction is provided with material with tremendous color correction capabilities and is not inferior to such serious cameras as RED or ARRI.
At the same time, all the small drone saved its benefits, cause they are always important in a movie shooting environment:
  • Instant drone preparation for launch

  • A great number of spare accumulators and operational recharging units for them

  • Various lenses, including long-focus lenses up to 75 mm (as measured by a Super 35 sensor)

  • Radio focus

  • Independent image output to the director`s Playback

  • Riskier flights are possible due to FPV usage (in this case the pilot does not look at the drone) and special software

An important fact is that all our drones can fly in the restricted areas. It is necessary, for example, when shooting an advertisement or a movie takes place at an airport or a stadium.

Improved Matrix
Micro 4: 3 matrix was significantly redesigned and now it provides with larger pixels and increased shot grain size.

The sensor has a dynamic range of 12.8 stops and advanced noise reduction technology. These features ensure excellent results even in low light conditionsе

Improved Sensor

Micro 4:3 matrix was significantly redesigned and now it provides with larger pixels and increased shot grain size.The sensor has a dynamic range of 12.8 stops and advanced noise reduction technology. These features ensure excellent results even in low light conditions. 

Higher resolution

Maximum video resolution of  Zenmuse X5S is 5.2 30p with the support of the CinemaDNG format allowing to shot the tiniest details and simplify work with video at the processing stage. Moreover, the camera supports video recording in 5.2K 30p (422 HQ) and 4K 30p (4444 XQ) in Apple ProRes format and also in 4K 60p with H.264 codec or in 4K 30p with H.265 codec and bitrate of 100 Mbps. 

Improved image stabilization

Three-axis stabilizer keeps the Zenmuse X5s in the optimal position with an accuracy of ± 0.01 °. This accuracy is achieved through high-performance motors and a special processor. Many stabilizers are equipped with electronic contacts, but the X5S model is based on a mechanical construction and its wires are covered by the case. This stabilizer transfers data without breaks, in addition, this construction is much more durable. The depreciation system makes it possible to shoot “smooth” videos. You can still shoot panoramic shots at the entire 360°, turning the stabilizer and turning the drone round. Make “smooth” video even with a 75 mm lens.

Lenses in the set

  • Olympus M.Zuiko 12mm f/2.0 (as measured by the full matrix – 24 мм. Compare with analogue 17мм for Super 35)
  • DJI MFT 15mm f/1.7 ASPH (as measured by the full matrix – 30 мм. Compare with analogue 21мм for Super 35)
  • Olympus M.Zuiko 25mm f/1.8 (as measured by the full matrix – 50 мм. Compare with analogue 36мм for Super 35)
  • Olympus M.Zuiko 45mm f/1.8 (as measured by the full matrix – 90 мм. Compare with analogue 65мм for Super 35)

Additional lenses are available:

  • Olympus M.Zuiko 17 мм/1.8
  • Panasonic Lumix 15 мм/1.7
  • Panasonic Lumix 14-42 мм 3.5-5.6 HD
  • Olympus M.Zuiko 9-18 мм/4.0-5.6

Additional options

  • We can use for the project two equipment sets (particularly if the flights are dangerous);
  • We can use radio focus – DJI Focus.

Technical features of X5s


4/3-inch CMOS sensor;

Supported video formats:

Video recording is performed in two parallel streams – the first RAW stream (DNG image sequence) or Apple ProRes, the second MOV stream (h.264 or h.265) (used for quick viewing).

Recording formats, bit rate and video resolution:

C4K: 4096×2160 23.976/24/25/29.97 100Mbps
                            47.95/50/59.94p 100Mbps (Crop 2.7 instead 2.0)
4K: 3840×2160 23.976/24/25/29.97 100Mbps
                          47.95/50/59.94p 100Mbps  (Crop 2.7 instead 2.0)
      3840×1572 23.976/24/25/29.97p 100Mbps
2.7K: 2720×1530 23.976/24/25/29.97p 80Mbps
                             47.95/50/59.94p 100Mbps  (Crop 2.7 instead 2.0)
FHD: 1920×1080 23.976/24/25/29.97p 60Mbps
                            47.95/50/59.94p 80Mbps
                            119.88p 100Mbps
C4K: 4096×2160 23.976/24/25/29.97p 100Mbps
4K: 3840×2160, 23.976/24/25/29.97p 100Mbps
      3840×1572 23.976/24/25/29.97p 100Mbps
2.7K: 2720×1530 23.976/24/25/29.97p 65Mbps
                            47.95/50/59.94p 80Mbps  (Crop 2.7 instead 2.0)
FHD: 1920×1080 23.976/24/25/29.97p 50Mbps
                            47.95/50/59.94p 65Mbps
                            119.88p 100Mbps
5.2K: 5280×2972 23.976/24/25/29.97p, до 4.2Gbps
4K: 4096×2160, 3840×2160 23.976/24/25/29.97p, до 2.4Gbps
4K: 4096×2160, 3840×2160 50/59.94p, до 4.0Gbps  (Crop 2.7 instead 2.0)
5.2K: 5280×2160 23.976/24/25/29.97p, 422 HQ 1.3Gbps
4K: 3840×2160 23.976/24/25/29.97p, 422 HQ 900Mbps
4K: 3840×2160 23.976/24/25/29.97p, 4444 XQ 2.0Gbps

Comparison of DJI Inspire 1 RAW with RED Scarlet

Сomparison DJI Inspire 2 with ARRI ALEXA


Video examples

Our works

We can`t share many works here, but we can send them to you on request.

You can see some of them below:

RED Cine Showreel from KinoLet on Vimeo.

Kinolet Showreel from KinoLet on Vimeo.

Our video at Vimeo Facebook page


Read more information about the cost in this section.

Special offers:

We provide significant discounts for offsite projects lasting three days and longer and for movie shooting. Learn details by phone.

Give us a call!

+7 (495) 725-000-2, from 10:00 to 21:00, Dmitry, Denis+7 (916) 654-62-05, from 7:00 to 0:00 Denis Email us! or leave your phone number and we will call you back!